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Chrystal W.

Chrystal W.

East Stroudsburg, PA

Vocal Lessons


Webcam

10 Years

About Me
Mezzo-soprano Chrystal E. has been described by leading critics as “strong and so assured”, “lithely negotiating the coloratura demands before descending into a robust low register”, and “poised, polished, in complete command of the vocal calisthenics”.  Of her debut with the Sarasota Opera performing the role of Rosina in Il barbiere di Siviglia critics cited, “…the young mezzo-soprano possesses a creamy instrument with fine flexibility, throwing off a confident ‘Una voce poco fa’.”  Chrystal sang the role of Publia and covered the role of Arsace in Rossini’s Aureliano in Palmira at Caramoor in 2016; sang Michael Tippett’s A Child of Our Time with Boston Modern Orchestra Projects (Harvard Choruses); a Beethoven Symphony No. 9 with the Springfield Symphony; Bach’s Magnificat with the New Jersey MasterChorale; Nach Dir, Herr, verlanget mich, “BWV 150”, with The Philadelphia Orchestra, Yannick Nézet-Séguin conducting; soloist with the Lancaster Symphony in Mozart’s Requiem; soloist with OperaDelaware in their presentation of Rossini’s Petite Messe Solennelle; revisited her role as Rebecca in Charlie Parker’s YARDBIRD in a co-production with Hackney Empire and English National Opera; and, sang Olga in Eugene Onegin with Northern Lights Festival for the summer of 2017. This season includes Charlotte in Werther with Baltimore Concert Opera and OperaDelaware; Pearl/Mary O'Fallen in Ricky Ian Gordon's Morning Star; On-Site Opera; concerts with Annapolis Opera and a return to Northern Lights Festival as Rosina. In the 2018-19 season she revisits the role of Rebecca Parker with Arizona Opera and returns to Birmingham Opera Company UK.  Chrystal was heard in concerts with the Norrköping Symphony Orchestra in Sweden; debuted with Washington National Opera as Elizabeth Keckley/Coretta Scott King in Philip Glass’s Appomattox; was reëngaged with Birmingham Opera Company (UK) as Dido in Dido and Aeneas; presented in recital with Portsmouth Community Concerts; was a guest soloist in Rossini’s Petite Messe Solennelle with Smith College; reprised Rebecca in Charlie Parker’s YARDBIRD at the Apollo Theater under the auspices of Opera Philadelphia; and, sang a role debut as Hänsel in Hänsel und Gretel with Knoxville Opera.

Chrystal W. has over 10 years of music experience in the East Stroudsburg area.

Chrystal W. is proficient in and teaches Vocal Lessons .

Degree and Field of Study:

BFA VoiceApril 2004
Carnegie Mellon University
MM OperaJune 2008
Yale University

Award Name:

Audience Favorite AwardJanuary 2013
Giargiari Bel Canto Competition
Encouragement Award in New England Region FinalsJune 2013
Metropolitan Opera National Council Auditions

What to expect in my Vocal Lessons

Beginner - Intermediate - Advanced

I put great focus on confidence, presence, breath, and calmness; for when a person is calm and confident, they are unafraid to try new things or be bold in performing new things. When a person is present and knows how to breathe, then they are able to be vulnerable in their singing and have more of what they have intended come out of their mouths and happen in performanc I build from the ground up: stance, breath, vowels, language, interpretation, performanc Once ingrained, these attributes take life, not only in singing, but in every facet of the student's lif



Formal Education:

BFA from Carngie Mellon University MM from Yale University

Private Education:

Alan Fischer, Susanne Marsee, William Stone, Kathryn Cowdrick

Performing Experience:

Opera, concert and recital work

International, including England, Sweden, Africa, Austria, Italy, and the USA

In the 2014-15 season, her assignments included: a cover with Gotham Chamber Opera of Cat in El Gato con Botas; a debut with Opera Philadelphia as Rebecca Parker in a new commission by Daniel Schnyder, Charlie Parker's YARDBIRD; a Birmingham Opera Company (UK) debut as Hannah in Michael Tippett’s The Ice Break, Graham Vick, directing; a Verdi Requiem with New Jersey MasterChorale; concerts with the Cairo Symphony Orchestra in Egypt and a debut with Pine Mountain Music Festival as Rosina in Il barbiere di Siviglia. In 2013-14 Chrystal created the role of Yvette in the world première of Eric Sawyer’s The Garden of Martyrs; performed the role of Dulcinée in Massenet’s Don Quichotte; Olga in Tchaikovsky’s Eugene Onegin; and sang Linda in Kurt Weill’s Lost in the Stars in a debut with the Glimmerglass Festival. She made her Sarasota Opera debut as Rosina in Il barbiere di Siviglia and was a featured soloist in Elgar’s Sea Pictures with the Philadelphia Youth Orchestra; the Verdi Requiem with the University of Pennsylvania Symphony Orchestra; and Rossini’s Stabat Mater with the New Jersey MasterChorale. Chrystal was one of thirteen finalists in the International Belvedere Singing Competition in 2013; a 2014 finalist in the Giulio Gari International Music Competition; a 2013 finalist in the Mario Lanza Competition; a 2013 Encouragement Award in the New England Region Finals of the Metropolitan Opera National Council Auditions; a 2013 prize winner in the Liederkranz Foundation; and a 2012 prize winner and Audience Favorite Award in the Giargiari Bel Canto Competition. Chrystal was the recent winner of the Wilhelm Stenhammar International Music Competition for 2014 winning both 1st Place and Audience’s Prize awards.  

Experience Teaching:

Collegiate vocal instruction while at Yale, The Governor’s School for the Arts, private studio for 10+ years.
Age Group Taught:
  • Young Adult Adult Child
Genres Taught:
  • Classical
Lessons Locations:
  • Webcam
Availability:
Day Start Time End Time Detailed View
Mon 12:00pm 7:00pm View
Tue 12:00pm 7:00pm View
Wed 12:00pm 7:00pm View
Thu 12:00pm 7:00pm View
Fri 12:00pm 7:00pm View
Sat 1:00pm 5:00pm View
Sun off off View
Last updated on 03/05/2021
Video Cover Image
Review:

Vocal lesson

Chrystal was amazing!!!! This was my first ever vocal lesson and Chrystal made me feel completely comfortable and was able to help teach me several breathing techniques and exercises in only 30 minuets. I would definitely recommend her to vocalists at any stage in their development. Eshau Griffin-Hart wrote on Tue, 01 May 2018

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